Steampunk as Restrictive: Some requirements for the coveted "steampunk" classification

In an attempt to demonstrate the restrictiveness of the steampunk genre, I have compiled a list of the criterions necessary for a work to be classified as “steampunk.” Additionally, I have drawn attention to the definitions that support my idea that steampunk works best as an accessory to other genres by bolding the termss that best represent the steampunk aesthetic. Can you honestly tell me that a list as long-winded and specific as this could give a writer or producer creative and artistic freedom? I would beg to differ:

   

A story set within a world using a real or imagined version of the technology of the 19th century (Lake 59)

Implicit or explicit social critique (Lake 59)

Technology and devices driven by steam power or counterweighted clockwork (Lake 59)

An adventure-oriented plotline (Lake 59)

It returns us to old-fashioned values, often decried but nevertheless romantic (Writers Anon)

Victorian-era class and economic structures (Lake 59)

Include the supernatural as well (steampunk.com)

Steampunk has no plastic or fossil-based products.  The materials within this alternative, retro world are all natural and lavishly decorated. Polished wood, brass filigree, leather and stained glass should be there in abundance (Writers Anon)

An emphasis on the empowerment of individuals in the face of industrial standardization and the advance of modern bureaucratic government (Lake 59)

CITATIONS:

JRRL. “What is Steampunk?.” Steampunk.com. 13 Oct. 2010. Web. 09 Apr. 2015. <http://www.steampunk.com/what-is-steampunk/>

Lake, Jay. “Exploring the world of steampunk.” Writer’s Digest 94.3 (2014): 59-61.

Lillycrop, Martine. “5 Elements of Steampunk.” Writers Anon – Taunton’s Writing Group. Word Press, 27 Jan. 2014. Web. 09 April 2015. <https://writersanontaunton.wordpress.com/2014/01/27/5-elements-of-steampunk/>